“Some things can’t be proved. You just believe them.”
A rare excursion into epic fantasy for live theatre that celebrates friendship, courage and the power of imagination, based on a short story by New York Times Best-selling author Terry Brooks.
The Secret of Courage
An Inspiring hero’s journey filled with magic and wonder begins when high school teen, Jack McCall, a budding fantasy writer and baseball player, accidentally discovers that he faces a health crisis. His best friend, Waddy, isn’t concerned at all. He says people recover from illnesses all the time and Jack’s tough. But Jack cannot stop thinking about the death of his beloved Uncle Frank and fears that he will face the same future. Then reality blends with fantasy as the ghost of Uncle Frank appears and a huge owl guides Jack into nearby Sinnissippi park to ask for help from the powerful friends he met there the day Uncle Frank died.
In this magical realm, Jack faces Wartag, the vicious troll whose games become dangerous, and encounters Deirdre, a huge Owl whose irreverent sense of humor is directed at everyone. Keokuk, a Sauk ghost, arrives to connect Jack to the history of Native American bravery that once lived in the park. Pick, the Elf, the Guardian who balances the magic in the park, leads Jack toward finding the bravery it will take to face the powerful Demon who has escaped from its prison in a massive tree. Jack begins to question whether this whole adventure is real or a figment of his imagination but when the Demon arrives and threatens his friend, Waddy, Jack finds his courage and discovers that facing this adversary just might be the key to fighting his illness.
Basedon the short story, “Imaginary Friends”, by New York Times best-selling fantasy author, Terry Brooks, this play presents a rare excursion into epic fantasy for live theatre that celebrates friendship, courage and the power of imagination. An earlier version of this play was developed at The Kennedy Center’s New Visions/New Voices. The Coterie premiere was supported by the National Endowment for the Arts.
At Kansas City’s Coterie Theatre, Teenagers Face Dystopia of Cancer With ‘Courage’
By Laura Spencer, Kansas City Star.
Playwright Laurie Brooks has tackled challenging subjects for young adults — from the Salem Witch Trials to bullying. Her latest play, The Secret of Courage, explores a teenager facing a health crisis … with a little help from a magical world.
On a recent Tuesday morning, middle school classes filed in to the Coterie. It was the first day of previews for The Secret of Courage, and clusters of students were making their way to their seats.
Laurie Brooks is the playwright-in-residence at the Coterie. The Secret of Courage blends reality with fantasy as a teenage boy confronts a cancer diagnosis.
“If we look at what young people are reading now, a lot of it is dystopian, a lot of it is fantasy. It’s dark,” says Brooks.
Early in the play, the audience learns that Jack McCall, played by Jay Love, has leukemia. His best friend, Waddy, played by Roan Ricker, reacts to the news:
“You’re sick, they’ll make you feel better,” Waddy says.
“You weren’t here, you didn’t hear Doc Mueller,” replies Jack. “Mom was crying, Waddy.”
“Well, I don’t buy it,” says Waddy. “Doc didn’t say you’re dying, because you’re not.”
“This is certainly a play about friendship,” says Brooks. “It’s a play about a frightening diagnosis that leads this young person into a magical world, where he needs to find the courage to face it.”
The Secret of Courage is based on a short story, “Imaginary Friends,” by fantasy writer Terry Brooks — who’s also Laurie’s older brother. First published in the early 1990s in a collection called Once Upon A Time, Terry Brooks says the mandate was to tell a modern fairy tale.
“So, I was looking for something that had fairy tale-ish tropes to it, but that was also set in the modern world,” he says. “And (I) decided to tell this story about a boy who has cancer and fights back against it, and what that might entail, in terms of what we know about ourselves and the capability to overcome just about anything.”
When Laurie Brooks first read the story, she says she knew she wanted to adapt it as a play. And it incorporates some elements from Terry Brooks’ long-running Shannara series, such as magic.
“We don’t see much epic fantasy on our stages, either for adults or young people,” she says. “And I’m not entirely sure why that is, but I’m particularly thrilled that the Coterie is taking this on.
Brooks describes the Coterie as her “artistic home.” Producing artistic director Jeff Church says it’s a relationship that’s flourished for more than two decades.
“Laurie’s plays have always been bold, never shying away from issues,” says Church.
But bringing this play to the stage required additional funding, from the Mid-America Arts Alliance and the National Endowment for the Arts, for all the layers of tech: sound, lighting, and projections.
As Church puts it, it’s not business as usual.
“We are very stretched — in a good way — to rise to the challenge of doing fantasy and credibly doing it,” says Church. “This is a situation where you’ve got elves and trolls and a Native American ghost and fancy tech elements that are required.”
Terry Brooks’ works have been adapted for television, like the recent MTV show, The Shannara Chronicles, which moved to Spike TV. But, he says, it’s something special to have his sister, an acclaimed playwright, take his work and shape it for the stage — for the first time.
“And that’s what I saw (on opening night), taking a short story of words on paper and representing it in a different medium entirely, the theater,” Brooks says. “And so, I support her in her work, just as she supports me. And she’s taught me a lot about collaboration.”
Available from: Dramatic Publishing